मंगलवार, 19 जुलाई 2016

'MUN RE TU KAHE NE DHIR DHARE' SAID SAHIR

‘MUN    RE    TU  KAHE   NE    DHIR   DHARE’   SAID     SAHIR


   My memory tells me that about a decade ago there was a poll conducted by Outlook magazine  among the music critics to list the top ten Hindi cinema songs. And, in that list Sahir  Ludhyanvi written, Roshan composed and Rafi rendered; “ mun re tu kahe ne dhir dhare vo nirmohi moh na jaane jinka moh kare….”   From the film ‘Chitralekha’ was on the top of the list. Well; these lists keep coming out periodically and one must not lament the non inclusion of many great songs, but this particular song is to be accorded respect for its sweet sombre  mood and the philosophy which it proposes.

 (The  story of the film is about a King  played by Pradeep Kumar a dancing girl  , Meena Kumari  and the spiritual Guru played by Ashok Kumar. Pradeep Kumar falls in love with the dancing girl and there is this conflict in his mind between duty and  love. Ashok Kumar is the ideal person seemingly free of attachments and propagates shunning of material attachments, but he too is swayed by the charm of the dancing girl, who becomes his disciple. The film’s subtext is about leading a normal life and suggesting that spiritualism is the highest stage of materialism ; conveying that it is useless to abandon material comforts prematurely because your desires are not satisfied.)

The song opens with :
      “Mun re tu kahe na dhir dhare
       Vo nirmohi moh ne jaane jinka moh kare  “
In the song the King ( Pradeep Kumar ) is talking to himself consoling his wandering  and restless mind ( mun )  that it  should not lose patience as the other person ( the lady ) is free from any attachments ( moh)

The first stanza moves the idea ahead :
“  Is jeevan ki chadti dhalti dhoop ko kisne bandha
                    Rang  pe kisne pehre dale
                       Roop ko kisne bandha
                       Kahe ye jatan kare
                            Man re tu …..”
Now he talks about the flux of time, stating that no one can control the movement of sun ,in the sunrise and sunset life moves , nothing is permanent implying that his sorrows too shall pass and so would the time tell on the age of the beauty. The color of the skin along with the beauty shall fade as they cannot be caged and held captive ( roop ko kisne bandha). Therefore we should not try hard ( jatan ) to resist change  as impermanence is inevitable. The implication is that we should contain our pride and vanity as time tests all.

The second and the last stanza sums up the thought :
“ Utna hi upkar samaz koi , jitna saath nibha de
Janam maran ka  mael  hai sapna
Ye sapna bisra de
Koi na sang mare
Mun re  tu kahe na dhir…..”
Here he further tells his mind ( mun ) that whatever time one has spent with one’s partner should be considered as favour( upkar ) and this utopian thought of staying together life long ( janam maran ka mael ) is a dream which should be abandoned . One should count one’s blessings !

    To sum it this is a deeply philosophical song of Sahir who as a poet was quite adept at it. The core thought is that there is no use being attached to anything as it is impermanent . As long as there is association make the best of it and consider that as  blessing . At the same time this beauty of which the beauteous are so proud shall wither with time , therefore why such attachments?

   The song  rings a familiar bell and one is reminded of Keats’ lines from ‘An Ode to a Nightingale’:

  “ where beauty cannot keep her lustrous eyes

Or new love pine at them beyond tomorrow “ 

कोई टिप्पणी नहीं:

एक टिप्पणी भेजें