बुधवार, 12 दिसंबर 2012


                                                THE   MARCH   OF   CAPITALISM








The march of capitalism continues in many directions. From the loot of coal, from the foreign direct investment in multi -brand retail , aviation sector etc. The media barons are also intent on occupying the  vacant space and not only propagate information , opinion but their own brand of ideology too. I am questioning the vigorous onward march of the 'Times of India' group- the Grand old lady of bori- bandar! The character of the paper has changed since the demise of Girilal Jain many many years ago. The  only objective of this group is to keep on moving up its circulation. I am told that when  the young management took over, its one liner advise to its marketing team was that “ A news paper is a piece of paper which people take to bogs in the morning and our paper should remain the preferred paper for that purpose”.

  Efforts were made to increase the circulation  of the newspaper to ensure that other competitors remained at lower rungs. 'Mumbai- mirror' was launched to ensure that whatever space remained is annexed by the tabloid. The corporate was successful in its mission. But, the paper which is so dominant in the city does not have any ideology other than to increase its sales in order to grab the maximum revenue from advertisements. Recently it launched two advertisement campaigns one for the 'Mumbai – mirror' and the other for 'Bombay Times', these were also shown in cinema halls. The 'Mumbai-mirror' advertisement film  is in 'black and white' and shows images of  copies of a book being burnt and the writer, a bearded middle aged man standing next to the bonfire crying out “they are burning my book...” then there is  a young man stopping a cavalcade of a politician on a flyover and shouting at the top of his voice “ this city is my home and I will not allow your posters to be put on my walls” indicating that the city belonged to the common man and the paper protects the interest of the ordinary citizen. Another scene shows street children with barely any clothes protesting to the municipal officers regarding their pitiable living conditions. The film makes an impact and generates admiration for the efforts of the paper , it is considered peoples' paper and the sales go up!

   Another advertisement is of 'Bombay- Times', the paper is projected to provide glamour. Images of 'Dabbawala', a lady vegetable seller, a taxi- driver and a young student appear on screen in weird, colourful almost bizarre attire reflecting glamour among commoners or the paper is provoking the commoners to copy the 'page3' life style?. However the newspaper group attempts to capture all the segments of the society , and also different tastes, but apart from 'selling' and 'increasing the sales' what ideology does the paper have? The Corporate's projection of being friend of the commoners is a facade! It is true that the paper does reflect the incidents concerning the commoners in 'Mumbai- mirror', but it is evident from its other publications that its a ploy to muster readership and is not ideology driven

       We are aware  that there were two professions which leaders at various levels practiced in their fight against the British imperialism- legal and journalism. Mahatma Gandhi wrote regularly in 'Young India'and 'Harijan'. Nehru launched 'National herald' and similarly Tilak wrote for 'Kesari'  and 'Maratha' and there were many more ,the vernacular Press was full of patriots with pro people ideology and Aim to remove the British regime.
  Some years ago the TOI  added a new column namely 'speaking tree' which dealt with the subject of spirituality and became popular , encashing on its popularity, the paper commenced a new supplement by the same name on Sundays. Therefore it believes in occupying any vacant space with its marketing power, the editorial staff may, may not believe in any spiritualism or otherwise. The Group therefore propagates Socialism, Glamour and Spiritualism and may believe in none!

    Democracy demands accountability of all Institutions. Legislatures are made responsible by the people during elections, the executive has numerous accounting systems such as CAG and CVC. The judiciary too has been made to reveal their assets and media and parliament have raised many issues pertaining to appointment of Judges  post retirement etc. But the 'media' has very few checks, the Press commission  has its limitations and has asked for more teeth . It is also argued by both Indian and foreign media that in a democracy , despite its excesses the Press should remain free, but even in Britain there is debate on the issue after the recent scandal which was essentially a case of increasing readership by extracting information by dubious means- the social cause was missing.
  I feel that the media should be guided by the 'social responsibility' concept. But if it is being run by the capitalists then it is for only select few !

बुधवार, 5 दिसंबर 2012


ACQAINTENCES ASSSOSIATES AND FRIENDS

     Among the many writings on 'National Movement' one theme which is propagated is that during the freedom struggle India as a Nation was  ' in  making '. Prior to that it was a loose federation, a mere geographical entity. The founding fathers evolved it as a Nation. Then there was the famous theory of Jinnah and Iqbal-- the 'two Nation' theory. With the recent happenings in Assam and Mumbai the debate on the 'cause of the problem' arises again. Have we as a Nation failed to integrate /amalgamate?

      Despite the numerous social contradictions and conflicts and many issues remaining unresolved such as the matter of caste, gender bias,regional conflicts we have moved ahead in a democratic manner  and to some extend the power of vote, reservations in jobs and in Parliament have provided some hope and relief. At least the conflicts are not violent. However when such violent incidents occur the questions are raised regarding  the differences between the two communities, the creation of Pakistan, and also of loyalty to the Nation etc.

     My experience and analysis is that we may have  differences  , but we have more in common, it is in the mutual interest that we propagate our common heritage , the most prominent being our fight against the British during               '
 the  first 'war of independence'. It was the Golden period of Hindu-Muslim unity. Thereafter, the British systematically kept us away and the separate electorate under 'Morley-Minto'  reforms was a big blow . However we have examples of bigger and violent conflicts among Hindus the story of 'Mahabharat' being one , which in essence is fight for private property between cousins!

     But, here I wish to go back to my past and ponder over the acquaintance association and friendship   I have had with the Muslims. The first point is very clear, none of my associationwas by design, it just happened during the course of my journey from childhood to youth., as it would happen with persons of other communities, organizations and religion.. Here  I go.....
 
   
     Shahid. It all started in Dehradun, the tonga which took us to school was owned by Shahid, the bearded Pathan  from western UP  his  white mare ( Ghori) was the fastest and smartest among all the tongawallas and it took us to St' Joseph's at Rajpur road from Lakshman chowk negotiating the narrow and steep lanes of Khurbura  via cannaught place and  Ghanta ghar.  Often there would be an impromptu race as we approached the school  and invariably we won with children cheering joyfully. We were at least ten  to twelve children of varying sizes and competed with each other for a seat in the front  row , sometimes when Shahid was in good mood he would make one of us sit on the driver's seat ( a side seat ) and sometimes he allowed us to  handle the leash ( lagaam).  I was with him for four years , from class II to V , with his flowing beard and well chiseled nose , Shahid was an impressive personality.

      Yusuf. The scene shifts to Allahabad ,how I and my brother met Yusuf is an interesting episode clear in my mind. We were waiting outside our school ( St' Joseph's) looking around to hire a rickshaw to return home when suddenly a boy appeared and confronted me for something which occurred between him and me during the school hours, while I was trying to pacify him my younger brother did not wait for the matter to end , he came forward and lifted the boy by his neck and threw him on the ground, the astonishing part was that my brother was almost half the size of the chap he flung on ground; while I was dumbstruck it was Yusuf  ( an old rickshaw walla)who was observing   from nearby; and was very impressed with the courage and  wrestling skills of my brother and immediately volunteered to   take us home . Since then he became regular, in fact in his off time he would just hang around our residence and often chatted with my grand father. He was a wise old man  with a square chin and was compelled to pull rickshaw  even in old age to meet his ends . Later we learnt that his son was employed in the   household of Shri Hemvati Nandan Bahuguna, the congress leader who was also the   Chief minister of U P. The family did see some prosperity. I still remember the  peculiar phrase which Yusuf used to utter to describe anything odd or strange in a person – 'jhampar rishtu and lampat bhon', we  laughed  and it was a common joke among us, and later adopted in our colloquial vocabulary.

   The three teachers at St' Joseph's, Allahabad.  Kazmi Saab,was our sports

teacher and he was impressed of my hockey skills, though he himself was a
cricket player. I was good at hockey and represented not only my school but the Allahabad region as well. Kazmi Saab being an ex-student knew the pulse of the students and was  often called upon to discipline some trouble creators, in which I too  was included, but he was quite understanding though his very presence  with  biryani belly was of a toughie . We too played our pranks and were never a threat to the system , though our class x- c was always in news. I met Kazmi Saab, regularly after I had completed school as my brother was still there, as always he was helpful and understanding. I can never forget the sports room full of sports gear, hardly lit , items spilling all over and his office was also housed there ; a privilege few teachers had. And then there was one fraud who entered school teaching faculty based of false certificates, Mr Hussain was probably his name, he dressed shabbily and spoke with a queer accent and was lacking in confidence and competence and was nick named  R D Bottle ( relative density) by our class, he taught us physics. One day Father Rego found out his true credentials and literally pushed him out of the school. The next teacher , Mr Javed  was tall, lanky and well dressed and always wore a suitable jacket  and tie, there was much sophistication in him, he taught well too. He had completed his masters and was awaiting the results of the  I A S . Once I and my class mate  visited him in Muslim Boarding house near the university where he resided, to inquire of our physics marks,  it was afternoon  and he was resting , his bed was on the floor , books lying all over, a surahi in one corner. He just turned his head and asked us of our purpose, and we asked him of our marks and I remember he immediately said 76; my friend too got good marks , we were thrilled, thanked him , rushed down to our bicycle and  peddled back home. He was soon selected in  the I A S and left us, he was made for higher things!

   Sadar Bazaar. The Sadar Bazaar near Ashok Nagar was part of cantonment area, it has remained the same since I visited it first .Our Barber resided there ( I fail to recollect his name). Very polished , soft spoken  I looked forward to visiting him  and engaging him in conversation to hear his chaste Urdu.. He was there with us in good times and sad times , he was there for my nephew's mundan , he was there on my father's death. I continued to visit him on my vacations to the city and he would request me to find a job for his son in Mumbai and I would always dissuade him from leaving his native place for I knew that once one leaves his town for Mumbai it is difficult to return. His son continues to occupy his shop, the world has changed but not Sadar near
cantonment.

    Asif Ali. My friend Asif Ali and I were  together in school and then later in
   B A  .  Asif was  tall  , well built with dark round face. He played hockey and in fact we both were in the school team. He once remarked that for a  Muslim it was of no use excelling in hockey as they  would never get a chance to represent the Indian team , I did not agree with him and did not take his comment seriously. I do not know whether he was serious or voicing the general perception. Asif ,was original and had mastered the art of   matching the colours of Rubik's cube,he was so good at it that he wrote a book too on the subject, I am told by my friends. In B A  we were together  in the economics class, it was one of the rare subjects where girls and boys had a combined class. Mr D K Ghosh and Mrs Rajul Mathur were our teachers who taught us economic theory and Indian economy respectively and they encouraged participation of students. Asif who was a back bencher in school,  however was always well dressed and was  well prepared for the economics  class and would reply to any query promptly giving no chance to other volunteers! We all wanted to impress the girls who sat huddled in the front rows , but it was only Asif who made sincere efforts! His father was a Lawyer and my father had met him being in the same profession, his name was Sharafat Ali and  resided in Rajapur. My father had said that Sharafat Ali sahab was Sharif, true to his name; once when he visited him he found Asif pressing his father's feet, so he came back quite impressed. I have learnt from my class mates that he is in Canada and doing well. The image of Asif  Ali coolly  peddling his cycle , his hockey tucked behind, often returns to me when ever I think of my school days.


          Bollywood  calling.  Then there were at least two Muslim boys whom I remember were in class viii . I am bad with names but the episode I never forget. Suddenly for many days one of them did not attend class, there was this rumour that he has run away to Bombay to try his luck in films. He was indeed tall, fair and well built and would have got some work on his mere looks. But, he returned soon. . His story which he told me was that he was traveling to Lucknow by train and some fellow passenger offered him some 'pakodas' and he lost consciousness there after they took him away to a remote place which he does not remember anything. When he returned to his senses he managed to escape from their clutches. We all knew that he had made up the story. He also showed me a scar on his hand as proof of his tussle with the kidnappers ; he said that it was a knife wound and I nodded my head.
               Hasan. The picture of Hasan, in commanding posture, as school     captain is retained with me, the power which he emanated with his mere presence was effective. Hasan was in green house and I think he wore spectacles, but he was tough , the way he walked and uttered sentences in measured  tone and bore military style and probably that is why he was made the school captain eliminating Goel from blue house, who perhaps was better than Hasan in academics , but the decision of Father Rego was always well considered and he knew to pick talent . It was not that he was in command mode at all times, I found him in lighter mood also. Once he acted very cheeky with one of the lady teachers during the  Annual school fete . The lady teacher was in charge of one  of the stalls and Hasan approached the stall and in his typical robust style said ' Madam aapka rate kya hai' apparently he was asking for the price of the items in the stall, but it was such a loaded statement that even I who was standing at the stall was shocked. I expected fireworks and the lady to blow up and bring the school captain to mother earth, but the lady smiled and said ' my rate or rate of the item? And then Hasan corrected himself and the situation was saved . Assessing now I think the lady teacher reacted in the most mature fashion, saving her own modesty and restoring the position of the school captain; had such an incident occurred in today’s times Hasan would have been thrown out of the school. I would always inquire of him whenever I visited Allahabad. He did Law and to my surprise was practicing in the lower courts despite High Court being at Allahabad.. Then one day I learn t that he was no more . I never expected an ordinary life for Hasan; but such is life!


       Javed. Javed was an odd ball. We were together in class xii at Govt Inter College Allahabad. I never got along with him, but I was hardly in the class, most times I was playing hockey. I would often pull his leg in the class and never took his warnings seriously, but actually he took all that to  heart! One day  he showed me a knife tucked inside his pant, this was just to caution me probably, but I laughed it out. Then one day  I was late for college and was entering the premises from the Medical college side , when he confronted me with another  chap . While javed had the knife his companion carried a cycle chain. Their plan was to hold me and attack with the knife; but somehow I pulled out of their clutches and rushed to the school where the assembly was in session. I sighted my friend Manjeet and along with him and other class mates we rushed back to catch Javed and his accomplice, but they had vanished. This was one serious attempt to injure me, but I got away, one regret was that my new shirt was torn.
 Naqui Sir. I have been poor in Science and Maths so I failed in my first attempt at Intermediate. To this day I regret as to why I opted for science , I should have taken Arts, played hockey and passed without pain. But next year I had to take help by way of tuition, so we contacted Naqvi sir who was known to be good in science and maths tuitions, and had  helped many shaky science  candidates in  the past. He taught me the subjects for three months and I passed  intermediate in second class and since never looked back at science. I visited him once at his residence near Sadar bazaar near cantonment. He lived modestly and his source of income was from tuitions. Then he got a teaching job  in Assam and I saw him off at station as he boarded the Tinsukhia mail from Allahabad. I often wondered that why a competent and qualified person like him had to seek such remote occupation? Little did I realize at that time that merit and achievement are not necessarily linked ;we were young and intoxicated in idealism , then.

Bari Tailor. The challenge was to look smart with limited resources. Bari tailor of chowk, solved this problem. He was my stylist as well as tailor. During college days in late seventies there was this craze for foreign jeans and jackets as Indian brands were yet to emerge, but denim and other thick material cloth was available which compensated my desire to have long sleeves shirt with flaps or a stylish jacket . All this was under the influence of western actors and our own Dev saab and Dharmendra. Bari  would also give his own suggestions in designing my clothes made out of the locally available low priced cloth and it gave me a lot of happiness to flaunt my creations among friends. At  no time did Bari discourage me or mock my suggestions, he would just smile and was confident of the outcome, however since he was much in demand I had to wait for longer period but I was not discouraged. His shop was at one end of chowk  and I had to cycle almost 12 km , but it was worth it. How I discovered him I do not remember but I lost contact with him when I left Allahabad and then with the surge of ready made garments flooding the Indian market the craftsmen such as Bari tailor of Allahabad lost out. He was such a refined gentleman both in his work and dealings.

 Zafar Alam Nomani. Nomani was my friend in university . Thin , dark and lanky , he wore spectacles.  He would constantly look down while cycling and was lost in his thoughts. Our ideas were romantic and we shared left ideology. In our discussions, debates we would veer the conversation toward our ideology and exhort our  other friends to support the left cause, even though we were not members of any group. During those days like me , Nomani too was Dev Anand's avid fan and we did see 'Hum-Dono' at Niranjan and 'Funtoosh' at Jhankar together. He lived in the Railways residential quarters near civil lines, we graduated together, I was in touch with him during my vacations but soon lost contact. Recently I learnt from my brother that he was a lawyer at Allahabad, I shall meet him during my next visit to Allahabad, it will not be difficult to identify him even in a crowd, Nomani with his chashma and frown.
  Arshad and Chiku.  Arshad and Chiku were brothers and I got to know them through my friend Ranjit Dutta. They lived behind the Y M C A  and we often played cricket together at YMCA grounds much to the annoyance of their administration who expected approvals, but Arshd's Mamu also played with us  could pacify the YMCA people . The brothers were full of pranks and Arshad was known for blowing long farts , which he even recorded as prized possession. Once I along with the two brothers went to witness a test match at Kanpur between India and Pakistan; to my surprise I found them cheering for Pakistan, though I was taken a back then but now I understand such sentiments  after witnessing Indians in England cheering for The Indian cricket team even though most of them were British citizens. One interesting incident I remember even now; the brothers had taught the child of their servant the choicest of abuses, some very typically Allahabadi.  On the arrival of a friend the child would be asked to perform and the boy would rattle out the abuses with such sincerity and innocence completely unknowing of its meaning but provided an original entertainment to all of us . Later I learnt the brothers migrated to U S.

 Rufi.  Rufi was a shy guy who stayed in Bahadurganj. I came to know him through my neighbor  Deepak Dhawan.  He was tall, a little plump, always appropriately dressed and possessed refined expressions. Like all of us he too sought association of girls and looked forward to the jam sessions which we managed to organize periodically. He was shy to approach any girl for dance but admired them from distance, we called him 'balcony' party. However he provided us home made 'mutton- biryani' which was delicious and all of us looked forward to it. Rufi too was proud of it and would say in his chaste urdu- ' biryani aisee banegi ki aap juban pe rakhenge aaur wo aap ki halak se nikal kar sidha knoon ban jayegi'  (  the quality of biryani will be such that the moment you will put it in your mouth and it moves down your throat it will transform into blood).What I gather is that he continues to be in his furniture business at Allahabad.
 
 Computer Ali and Nassem.  Finally there are are two barbers whom I know in Mumbai since last thirty years- Computer Ali and Naseem. On my arrival in Mumbai  when I visited the Barber shop in my locality and as per habit inquired the name of the person who was attending my hair I was amused to learn that his name was Computer Ali, therefore  even then such innovative names were kept by the village community, and names such as 'Definite' and 'Perpendicular'  ( Gangs of Wassepur )came much later . Probably that was the time when computer machines might have landed in India and the rural folk would have been impressed by its potential and power and named their new arrivals after it. A rapport was established with him and his cousin Naseem . Both are from Handia tehsil , of Allahabad district. Their income is not sufficient to allow them to bring the family to Mumbai, therefore they periodically visit Allahabad and alternate each other  at work on most occasions. From them I receive feedback on Allahabad, its heat, lack of power supply and dependence on inverter by those who can afford the investment, during my recent interaction I was told that this time the rains have been good and so they are expecting a good harvest , even the local river rose to unexpected level. The conservation of forest has brought in the influx of Neelgais  who eat away the fully ready harvest and nothing much can be done  to prevent them. I learn that on no occasion the two have been able to get a confirmed reservation  in train, so they obtain waiting ticket and travel on the floor of the reserved compartment after tipping the T C , such has been their journey home.
  The above are few of my 'Muslim – connections'. These were pleasant memorable associations which arose out of circumstances and were not planned. I never felt the 'two nation' aspect with any one of them There was mutual trust and my  association with them was never guarded and was as clear as it was  with any Indian citizen. I sincerely believe that we have much in common to celebrate and we not even have common history , but culture too.  Bade Gulam Ali Khan, Dagar brothers, Sahir , Kaifi ,Majrooh, the Bolywood Khans and our dear Ghalib, have provided me emotional sustenance and like me  to many others

बुधवार, 14 नवंबर 2012

ALLAHABAD DIARY-SPENDING AFTERNOONS WITH MR PALIWAL



ALLAHABAD DIARY--- SUNDAY AFTERNOONS WITH MR PALIWAL










Paliwal saab had qualified twice in I A S written exams, but unfortunately on both occasions he could not clear the interview. But, he never let the failure affect his temperament and maintained the same calm and composure ,which was the hallmark of his personality. Probably , it was his very simplicity which let him down in the interview. I am told by my mother that when the interviewer asked him as to which place he belonged to he truthfully replied that he belonged to Deoprayag ( a small town at the confluence of the rivers Bhagirthi and Alakhnanda in Uttarakhand) and that his family was in the profession of 'priests', and further added that they were similar to the 'Pandas' of Allahabad. This may have not gone down well with the person, as Pandas of Allahabad are quite domineering and tend to harass pilgrims in order to extract the extra money.

May be Paliwal saab was the victim of the then I A S selection system in which a candidate had to clear the written and interview separately and even if a candidate scored high marks in written his failure in interview debarred him from the coveted profession. This aberration was corrected by the Kothari comission's recommendations which were implemented during late seventies and were certainly very progressive and inclusive , even though it broke the hegemony of the Allahabad University which had tailored its syllabus to suit the papers of IAS or was the IAS examination system patterned on the Allahabad University syllabus, whatever? Suddenly all the subjects hitherto considered unsuitable for IAS were in reckoning. Soon we had Pradeep Shukla of Science faculty topping the IAS, and Engineers and Doctors were to follow. Earlier if one did MA from our University in Political Science or Modern History he was well placed for IAS preparation.

Returning to Paliwal saab , though he failed to get through IAS he topped the 'office – superintendent ', exams and was appointed in the Accountant General office at Allahabad. . The office is popularly referred to as 'AG office' and majority of its staff can be found from 11 am onwards outside the office near the various stalls gossiping, having tea. Thus , began his long and uneventful service life in Allahabad. He cycled during his entire stay in the city and resided in on a first floor rented house at new katra which was about 5-6 km from his office.. Soon he gained the officer's post and was known to be highly respected officer who knew the rules and regulations , was often consulted by his superiors on tricky issues. What else he did in office I do not know , but what I know of is his interactions with my father during long and lazy Sunday afternoons , when he regularly visited us in which I was a mere spectator , but participated occasionally.

Paliwal saab was a gentleman in the true sense of the term. I never saw him getting agitated or losing his temper during the various occasions when we met and discussed various issues. I now know that he just smiled at my over enthusiasm on
certain subjects in which he held a different opinion, and it is now that I know that why he never snubbed me or rebutted me for he knew the shortcomings of youth and gave wide allowances to my blunders and errors. A large size black mole was prominent on his face making it even more visible when he laughed. His hair were peppered and his attire was bush shirt, pant and sandal on most occasions. He walked with measured steps. Never boasted of his knowledge, though under his guidance some of our relatives had qualified in Provincial services examination. He would say that” I will give you all allowances but study, drink? Even that I will allow”. It was a big leeway.

Actually Paliwal saab was my father's brother-in-law. My father's cousin Sullu Phuphu ( Bua) was married to him . Their first floor home had some risky steep steps which had to be carefully negotiated prior to landing on their house. Sullu Phuphu was thin and always suitably dressed, kept the house very clean and was an excellent cook, but unfortunately did not have any children. Her brother Sachu cha cha lived with them and was studying in the University, he too was of slim structure, after his graduation from the University he picked up a job in Mumbai, and I did see him occasionally. Later, when Paliwalsaab was in Delhi on his promotion the couple adopted a girl of their relative . Allahabad's sleepy, serene and silent atmosphere suited their personality .,
Paliwal saab left a permanent impression on me not by the peculiarity of his personality; but by his lack of ambition . The more and more I see of today the more my admiration of Paliwal saab grows. As said earlier his failure to qualify for IAS narrowly on two occasions did not make him bitter inwardly or outwardly. He accepted the setback in his stride and may be sub- consciously accepted that as part of his own inadequacy and therefore accepted whatever next best happened to him which was a glorified clerical job.

We had an independent small house at one end of Ashok Nagar on rent and as was the culture of that time people visited each other. Relaxing in the cane chair, he would be engaged in conversations with my father and I had reached that age when something was making sense to me. Often he would be deeply immersed in a thick book and emerged out of it very late in the afternoon, he would make notes on a sheet of white paper with his precise and set hand. Once he was reading Bertund Rusell , it was a thick book and by evening he had completed half of it and was ready for discussions.



One evening I shall never forget which displayed a little funny but extremely cautious approach of Paliwal saab. Sullu Phuphu was not in town as she was visiting her mother in Garhwal, Paliwal saab was all alone and one day he visited us soon after the office . It was very late by the time we finished dinner , though we insisted him to stay back but he preferred to sleep at his home . Those days some incidents of theft and minor cases of hold ups on road wherein some miscreants would rob people at knife point or displaying a country made pistol had occurred . Paliwal saab was also aware of the fact that a few days prior one of our cousins was robbed of his belonging when he was returning from Gorakhpur and was in rickshaw near the junior St' Mary's school Therefore we looked around for a rickshaw and after much haggling convinced one to take Paliwal saab to new katra, however to our surprise Paliwal saab insisted that he will also be taking his cycle along in order to attend his office the next day. So the cycle was mounted on the rickshaw and Paliwal saab sat on the seat holding on to the cycle, it was a hilarious site and we laughed no end . Since then that incident is recalled whenever the discussion on Paliwal saab emerges.

He shifted to New Delhi on his promotion. On reaching Delhi he was allotted Government quarters in R K Puram, he wrote a detailed letter to my father on his reaching the capital and its initial impressions on him, we marveled the the quality of his writing and diction and my father preserved that letter. After retirement he settled down at Rishikesh. A few years later he met us during the 'Bhagwat- Katha' which our family had organized at Haridwar. By then the couple had married their adopted daughter. One day he felt sick ,was bed ridden for few days and shortly thereafter passed away. His wife , Sullu Phuphu followed him a few days later, thus ended a simple routine life of a genuine gentleman. He received from life what it gave him never craved or aspired for more.

But ; I do regularly miss him , specially on Sunday afternoons when despite many TV channels and numerous newspapers and their supplements I am unable to sift substance from the pulp it provides and recollect those lazy afternoon discussions with Paliwalsaab which were sublime.

सोमवार, 12 नवंबर 2012


MERIT          AND       MANIPULATION- THE      CLASH   OF    SUPER STARS








I admire the stance adopted by Ajay Devgan in order to protect his interest. This tiff between the two cinema producers in alliance with the superstars brings to the fore  the question of ‘monopoly’, ‘fair-play’ and of course ‘Merit’. I have argued in my previous posts too that with the advancement in technology the cost of mass print has reduced and in fact the satellite transmission has further reduced the  cost . However what are limited are the cinema halls, both single theatre and multiplexes. Therefore the powerful and mighty block screen space in order to have the maximum coverage and financial gain in least time. Earlier where a film had to run for months to be ‘Hit’ is today declared a hit in a week’s time. This competition has reduced the scope for small films who search for safe openings in order to be noticed and break even.
    The issue also raises the question of ‘merit’ because no matter how innovative is one’s publicity and the strength of stars and even the record of the Director it is the ‘people’ who make the film hit and history both past and present confirms the same. Yes; the publicity, stars etc may enhance the interest , may increase the sale if the product is good but they cannot infuse life into ‘dead-wood’.  The craze and greed to cross 100 crore has further  made the competition murky and ‘bloody’ and therefore cine-goers who still believe that Cinema is an Art form suffer in silence but are in such minority and unnoticeable that they cannot do much. The corporate culture has also marred the spirit and mysticism of cinema as for them there is bliss only in the financial balance sheet. Karan Johar is one shining example of the present times who has  churned out many mediocre cinema and made money taking advantage of mass release. His ‘Agnipath’ and ‘Student of the year’, ‘ Kabhi alvida na Kehna’ would have been flops if released under the old arrangement, these films garnered maximum money in the first few days  but could not maintain the momentum on ‘MERIT’. Shahrukh Khan’s ‘Ra one’  is also a case in point. Films like ‘Tees maarkhan’ would have been a disaster if released with limited prints. 
  My friends  often justify such trends in the name of ‘market’ and ‘ competition’, but I do not agree. I believe that there should be’ fair-play’ and above all a film should be a hit on ‘MERIT’. Therefore it is necessary that there should  be a regulatory body for film release and there should be restriction on occupation of film space , in my assessment  maximum of 1000 screens should be allotted to a film, this will not only reduce star fee and overall budget of the film but makers will concentrate on‘screenplay’ rather than gloss and glitter. Films will run on merit and cut throat competition will reduce. The concept of 100 crore will be crushed. The cost of tickets will reduce and the elitist multiplexes will sober down.
  We should not forget that we are a ‘Soverign Socialist  Secular Democratic Republic’ and not a ‘Capitalist’ nation. The Government should intervene in the matter , the various film unions should advise, the small film makers should come to the fore and show us out of these ‘Kumbhat films’.
  

मंगलवार, 16 अक्तूबर 2012

BEAUTY IS BUT SKIN DEEP!






BEAUTY IS BUT SKIN DEEP !







       Whilst travelling in Garhwal hills near Lansdowne , recently I was again attracted to the beauty of the pine trees ,uniformly spread over the hills. The smell of pine in addition to its look is distinct. There is variety too in pine , I was amazed to see a pine spread out like a Pipal tree at one place , though most are of conical shape. However if one examines the utility of this seemingly beautiful tree it is limited. It secretes gum from its trunk which is used in preparation of tar for road construction, the wood is used in making of furniture but is of lower variety and no match to teak, saal or shisham etc. The thin leaves are of no use to cattle and shed regularly to create a slippery layer which is dangerous in hill trekking , specially when wet. Moreover it consumes lot of water. In contrast is the grey oak/Indian oak tree commonly called Baanj which is also found in these heights, it does not bear any fruit ,carries ordinary look, gawky appearance, its leaves are of dull green colour, to add to its woes in Indo-Gangetic plain women who are unable to bear children are referred to as 'baanj' an insulting term ,uttered in loud whispers by jealous friends, ambitious mother-in-laws and spoilt sister-in-laws ( nanad). This is burden of feudal India where women were (are?) considered as commodities , primarily for producing children and if any one failed even owing to biological inadequacy of her husband the poor lady carried the burden of being referred to as 'baanj'.

However despite its dull look it is preferred by the villagers and community at large as it is a rich source of water. It retains water in its roots and it is common to see a small but regular water stream near a cluster of 'baanj' trees. It is a saying in hills that where ever you see baanj there will be water. Its leaves are also eaten by cattle .Compared to baanj, pine consumes a lot of water and the initiators of this disastrous practice in hills were the Britishers. They encouraged growth of pine as it looked beautiful and its wood was utilized indiscriminately in timber trade using the rivers in hills for transportation .Despite being innovators in Science their sense of environment was grossly faulty.

Returing to Pine and Baanj ( grey/Indian oak) the nature's analogy restores the belief that 'beauty is but skin deep', but we tend to glorify appearance ! Our preference for FDI at the cost of our small farmers/traders is yet another fatal attraction merely based on 'appearance'.

गुरुवार, 13 सितंबर 2012

MILK - MAN













MILK - MAN

 





    Dr Kurian Verghese, the father of 'white revolution' in India died on Sunday the 9th of September at Anand, at the age of 90. He belonged to Kerala, but spent his lifetime at Anand setting a rare example of leadership, management and dogged determination.

A few years back he narrated his memoirs in a book titled ' I too had a dream '. The book gives us details of his life , challenges and accomplishments.

If there is any product which is still respected and adored by the people despite being a product of a Government agency; it is 'AMUL'. It is symbol of 'honesty' and 'purity'. It is a product made from the sweat and toil of the farmers who rare cattle , and from the honest intentions of its creator; Dr Kurian, whose sole intention was the welfare of the farmers. He created this formidable Brand on the strength of his intentions, despite the vagaries of time and widespread skepticism about the Government enterprises among people.

The story of Kurian is also the story of economic integration of this country, toward which he significantly contributed. The 'milk-cooperative' though initiated in Anand, soon spread under his guidance to other states and has been successful. Through his efforts the consumption of percapita milk increased in our country. The Headquarters and 'milk policy' authority remains at Anand on his insistence and advise ,when the milk movement was launched under his leadership. Perhaps that is the reason why it has still maintained standard as it is away from the policy makers at Delhi!

In his success is the success of 'cooperative movement'. In an interesting episode from his memoirs , he narrates how the then Prime Minister Lal Bahadur Shastri, during his visit to Gujrat desired to stay one night with a farmer's family in Anand district. . After having spent the night in the village and observed the cooperative movement and the village life in general he remarked to Dr Kurian that he was surprised to note that in north India the size and quality of buffaloes was much better than that of Gujrat but despite that the milk availability was lacking and therefore inquired the reason, to which Dr kurian stated that the difference was the existence of 'cooperative' in the state and non existence of the same in other states.


His life is indeed very interesting and dramatic. He was a bright student and did BE from Madras and qualified as a management trainee with TATAs. But soon managed a scholarship to USA on a Government scheme. However there were strings attached as he was to do a rural tenure as part of pay back pact. On reaching USA he studied physics, and did not study the subject for which he was deputed , he enjoyed life there , watched movies regularly and returned to India. On his return as part of the contract he was appointed to Anand for the mandatory rural service. He tried to wriggle out of it and wearing a 'panama' hat and western attire visited his uncle John Mathai the first finance minister of India, however he expressed inability and advised young Kurian to honour his commitment and adhere to the rules, which shows the integrity of the ministers of that era.

On arriving at Anand he was passing his time in the sleepy rural surroundings. On weekends he would visit Mumbai for entertainment .One day he along with a friend visited an astrologer who made prediction based on the shadow of the person under the sun. His friend coaxed him to know his future too which he did reluctantly; on observing his shadow the astrologer made a startling revelation that Kurian would be spending his life time in Anand; which of course he laughed off at that moment. How was he to know that soon he would be helping the local administration in rectifying an old machine used in the production of milk , he could do so of his ingenuity but the people there realized the asset they had in him and offered him a reasonably attractive job which he accepted and the rest as they say is history! He played the leading role in setting up the cooperative as he knew by then that the world over milk production , processing and distribution was on the concept of cooperative as it suited the peculiarity of the product, its perishable nature and scattered production. In his endeavor he was supported by the daughter of Shri Ballabh bhai Patel and the local political leaders who were influenced by Gandhiji's principles.

He displayed his never say die spirit and inventiveness when he successfully produced milk powder from buffalo milk, which had failed earlier by the experts as it would curdle at a certain point. There was a lobby too which wanted import of 'nestle' to suit their ends. Kurian considered necessary not only to break the dependence on multinational but to utilize the excess milk production of winter months for the summer season when the milk production was less. This was his big victory. His dynamism was in ensuring the fitment of milk powder producing plant which was gifted by Switzerland in record time for inauguration by Pandit Nehru. How he convinced the Bombay port authorities to prioritize bringing alongside the ship which carried the plant, how he urged the railway authorities to stop the goods train at Anand is a case study in determination and farsightedness.

His fight with Polson is also a historical event. Polson is known to us for his butter , but he had monopoly in Bombay for supply of milk, being a big market Kurian was attracted to it. Polson was so powerful that he fixed the daily rates of milk in Bombay. Dr Kurian organized a meeting with the concerned politicians and outsmarted Polson by designating the high milk producing districts to Anand , Polson was furious but was left high and dry.

Amul publicity and the name itself is the brain child of Kurian, in order to widen the scope of milk products and to take Anand to the next level this was a clever move, he created the most lovable brand- 'utterly butterly delicious!'

Kurian comes out as an intelligent, selfless and also as a smart man. At his position he would interact with the top politicians who were indebted to him for his ideas and dedication. Many ministers helped him execute his plans, gave him freedom for he could deliver and they knew that his aim was the welfare of the farmers and rural area.

He may have used the politicians for his Aim but never allowed them to manipulate him, he had courage to say no to Jagjivan Ram when he requested him to setup a dairy at Sasaram , Bihar

He truly deserved 'Bharat Ratna'.



सोमवार, 3 सितंबर 2012

'NO BALL ' SAID THE PRINCIPAL




















NO BALL' SAID THE PRINCIPAL!

   The case Unmukt Chand the Captain of the U- 19 team was in news. The young promising cricketer won the U – 19 World cup for India in the recently concluded championship in Australia. He studies in the prestigious St' Stephen's College , New Delhi, and was admitted in the college on the basis of sports quota. Prestigious colleges such as the St' Stephen's and St' Xavier's enroll outstanding sports students in order to encourage sports and to utilize the abilities to strengthen their own sports teams. This is the policy of the University as well.
Chand however could not attend college as he was playing the World cup and prior to that the Ranji Trophy, Vijay Hazare Trophy, coaching camp etc. He missed more than 100 days of college thereby falling short in attendance to appear in the semester examination.
    There was an eruption and uproar on TV soon after the news reached everywhere specially TIMES NOW wherein Arnob Goswami was conducting the debate on the matter. In the panel were the principal of St' Stephen's college Rev Valson Thampu, the ex- principal of the Hindu college Mrs Sharma, Ajay Mkhan the sports minister, Kirti Azad the ex -cricketer/ MP/student of St' Stephen's college and two other persons. Naturally, Arnob Goswami expresssed surprise at the decision of the principal not to allow the National hero from appearing in the semester exams for lack of attendance. He along with the sports minister and Kirti Azad argued that students with exceptional sports abilities should be encouraged and rewarded, whereas the college was punishing a young student for having brought laurels for the country. More so when a student is a sports entry the college should expect him to be away on sports activities. The principal initially expressed his helplessness and quoted the policy of the university in such matters , however what was appalling were his comments when Chand's issue was brought in front of him , which Arnob Goswami read out -' there is no sense of proportion regarding sports in our country, in our country we tend to go overboard with regard to sports , I don't watch these cricket matches because you never know which is a fixed match. We have seen all the muck during commonwealth games.' The above comments are totally unrelated to the matter, but nevertheless these were originated from the principal which indicates his mindset. Kirti Azad narrated his days when he used to be away on tour and how his teachers always encouraged him and arranged notes and held special classes so that he managed to pass the exams,Mrs Sharma stated that in such cases special permission of the university could be taken , she also noted that when participation in NSS and sports is part of the curriculum, then there should not be any restriction on such students

Finally, finding himself cornered the principal stated that he will try to help the student but the student should approach him, which I found very odd and bureaucratic . I wondered that Stephen being such a renowned college should avoid such controversies, but from the statements and stance of the principal it appeared to me that he perhaps engineered this dispute in order to be in news himself, his remarks on sports are evident of the same. I am inclined to believe that such people look for controversy to be famous, lacking ability in themselves they intend to undermine the talent of deserving students and in fact are unfit for educational institutions where breadth of thinking and original ideas are to be encouraged. In the present times when liberal education is practiced and curriculum are designed based on the request of the students in many universities abroad, such attitude is outdated. The fact that he did not stay  till the end of the debate  speaks of his convictions. 

    As I am writing this the news has poured in that Chand has been promoted by the university's vice -chancellor which is welcome, it exposes the ridiculous approach of the principal too.

    I am a product of St' Joseph's Allahabad and Dehradun and have watched closely the many schools in Dehradun, such as the famous Doon School. In schools such as ours sports was our hall mark and our schools were known for their playing fields. Still whenever I visit Doon and pass through the Rajpur road I marvel the largeness of our three main playing grounds in front of the main building, there were two fields behind too and a separate hockey field . The Doon school devotes its afternoons to sports only.
   
   It is in the playing grounds that we build our character.

शुक्रवार, 24 अगस्त 2012

collective farming








                                           

 









                                                     Collective farming


As the Parliamentarians are busy with their coal business, the news of vidharba farmers committing suicide has gone unnoticed. Th e architect of liberalization may be guilty of many acts ,but the biggest curse of liberalization is the mass suicide of farmers.
There are many deprived communities in India, atrocities are committed against dalits, women, children and many others, there are solutions being sought, agitations being held with many NGOs in forefront but to me the problem of farmers suicide baffles for want of solution. Since the beginning of liberalization more than one lakh farmers have committed suicide. Is it not a national shame!
When we sit down to eat our meals we forget that it is that innocent farmer in some unknown part of our country who has provided us this? Th e retailers the industrialist make their booty by nicely packaging the food created with sweat and toil of that faceless farmer! He remains among the most insecure person , he does not have the city support which our industrial workers get. There are no unions for him , he has to fend for himself alone.
Things have not changed since the time of Premchand who depicted so deeply the pathos of farmers in 'GODAN' and many other short stories. But what is shocking is the rate of suicide! During the pre liberalization days the state of farmers was the same but they never committed suicide , now the lure of making fast money gets them in debt trap, specially when crops fail.
What then is the solution ? To me collective farming is one way out, I know that there is this tremendous attachment of farmers with their land and that must continue to be so , but the district administration must provide free seeds, fertilizer etc, the profit could be shared and in case of failure of crops the farmers do not have to pay to anyone, the profits may be less but the security will be there. Collective farming though was forced in USSR and the old soviet bloc but was successful in Israel Cuba, we can try it in limited way!

गुरुवार, 23 अगस्त 2012

MORNING SHOW




                                                          MORNING SHOW
 



 


 





The 'morning show' of cinema at Allahabad fills me with many memories, good youthful memories when we boys from St Joseph's would flock to see the regular English cinema at reduced rates, at Palace cinema hall or Plaza Theater at civil lines, sometimes at Niranjan too , but mostly it was Palace or Plaza. It was a sort of get together of school friends. The one movie which I remember vividly was 'Beckett' starring Richard Burton and Peter O'toole, the performance of the two actors was discussed during the school. We went with much expectation to see 'Ice station Zebra', starring Rock Hudson but were disappointed by lack of action. Later Payal and Zhankar theaters too screened English movies, yes! 'Hawwai' starring Julia Andrews and Richard Harris and the famous Swedish actor who starred in most Bergman films, the film made an impact with its epic coverage and great acting by Julia Andrews and then there was this film of Richard Burton called 'Villain' I saw at Payal. There were westerns too 'El dorado' starring John Wayne and Robert Mitchum.
The first taste was with our Dad when he took us to Palace to see 'Count of mount of cristo' a film based on Alexander Dumas novel, then there was no looking back. We saw many hindi films too but the charm of English movie was unique; how can we forget the war movies-'Tobruk' starring Rock Hudson , 'Battle of Bulge' starring Robert Shaw.
These days too at Mumbai I go for morning shows sometimes, but that excitement is missing, it is just a routine feeling. The cost and gloss which has covered cinema going specially at multiplexes has robbed of its soul. It is so full of commerce and money making that that the wonderment of that youthful charm is lost
Or probably I am not in touch with changing times! What is there to expect from a generation which is overfed on cinema-DVD, TV, internet downloading, cinema for them is just a click away! But I remember the old times when we were young and so serious about cinema. It was never a costly affair, despite our economic constraint we managed a ticket of lower stalls. I seriously feel that cinema should be subsidized being a large medium of mass entertainment; but then how will the films earn 100 crore and more ! A disease afflicted cinema world these days. For me cinema is still a passion, have maintained to retain the childlike response to it. I still see cinema on Fridays and miss it when movies are not released, despite many theaters and shows , I still book tickets for hyped movies.
That tension, that expectation still grapples me which was there when I struggled to find a view to watch Dilip Kumar's 'Daag' during the Annual function of the Valmiki college near my house. Or still when as children we lined up to watch films on 16mm projector of my friend's father; films borrowed from 'chalchitra vibhag' Allahabad. The association continued in University as we looked forward to screening of film society where we were introduced to the masters and witnessed the innocence of 'The bicycle thieves', which prompted me to watch Ray and others. The journey continues for me as I still long for that elusive ' morning show'.

बुधवार, 1 अगस्त 2012

CINEMA OF DEMOCRACY












  
 CINEMA OF DEMOCRACY



    Culture and the various Art forms exist to provide us sustenance for survival ; essentially. It is a different matter that a large number of people engaged in Art and culture are primarily there for commercial interest. Cinema; is a unique art form which requires sufficient commerce for its conveyance to masses- cinema halls ,publicity, transportation to far and wide places and payment to cast and crew. However these days the digital and satellite form has reduced expenditure; but the complexity of making process has remained unchanged.
       Any art form is also a reservoir of our culture. Whatever is refined, subtle and pure is reflected in the art form we produce. Cinema is a popular cultural form and it has the widest acknowledgment and acceptance. It possesses not only a wide canvas of colour and images but wide spectrum encompassing varied Indian communities as well. It represents the largest collective culture of not only a country but the world itself. In comparison to the age of other Art form it is still the youngest, as it has hardly completed 100 years but in terms of its impact and power it is the strongest.
        However in the name of popular culture much pulp is being churned out in respect of quality. But there are a set of film makers in recent times who are doing quality work despite dealing with popular themes. These films are rooted to a certain culture and the stories they relate are that of a certain region. This new approach of planting the plot and story in a certain real geographical location not only adds realism but gives representation to that community which is otherwise neglected in terms of economics and opportunities. By relating their stories they get a chance of being registered in the multiple cinematic frames for centuries. Don’t we relate ‘Fiddler on the roof’ as a story of Russian Jews?

         In any democracy it is essential that all classes and cultures are offered fair opportunities , but that is far from realization in political and economic terms,therefore these filmmakers are giving them a voice otherwise left unattended by those responsible. Till very recently only certain cultures were representing the many; for instance the rural India spoke the awadhi-bhojpuri dialect of eastern UP on screen, however the film 'Paan Singh Tomar' depicts the typical dialect of Bhind-Muraina districts of Madhya Pradesh, after watching the movie many who belonged to that area derived extra joy when the characters in the movie spoke peculiar words such as 'mora' and 'mori'( boy and girl)for those not familiar with the words the subtitles help but the authenticity and realism which the unique sound gives is appreciated by all . Vishal Bharadwaj also broke new ground in 'Omkara' by giving voice to the typical western UP accent of Meerut and adjoining districts, 'Peepli live' was also set in rural MP and more recently 'Gangs of Wassepur' exhibited the nuances of Dhanbad area.
          
      When confident film makers venture to exploit new shades of culture the stories also appear refreshing and more importantly the dominance of one culture and class is reduced; also stereotypes are vanquished.
         
      This is what can be heralded as the 'Cinema of Democracy'.

गुरुवार, 10 मई 2012

READING HARIVANSH BACHHAN

                                          READING HARIVANSH BACHHAN







Just completed Harivanshrai Bachhan’s second part of Autobiography ‘Neede ka nirman phir’, ( Building Home, yet again ) and before the impressions and observations fade I broach to share them.

The reading process clarifies many myths which one gathers over numerous casual conversations with other fellow Allahabadis- their original roots, Teji’s role in his life, how A N Jha helped him and his own conflicts and sorrows.

The Bachhan family have been staying in Allahabad prior to the first war of Independence, the ancestors moved from a place near Pratapgarh called Babu patti and settled in the city prior to its urbanization. They can therefore boast of being the earliest inhabitants of Allahabad. The landmark Zero road of chowk demolished their original ancestral home during the development phase and then they had to build a new home in Mutthi ganj.The language which Amitabh Bachhan speaks in various roles depicting U P culture is a dialect of Awadhi typical to Allahabad; no wonder!

But what strikes one is both, the style and substance.. It is not only a story of one’s life but serious Hindi Literature ( though he was a lecturer in English Literature). The style is not simple , racy thriller but compels your attention to a distinctness typically Bachhan, it requires effort expected of a serious reader, but soon the sincerity and honesty of the person coaxes you to complete the journey; which is indeed cathartic. He created poetry from sweat and tears.

We all face crisis in life, so did Harivanshrai, but what is of note is the manner in which he copes with these critical situations. The common thread which runs in all major occurrences in his life is his deep dedication, hard physical and mental labour ( tapasya) .As a child student he learnt Urdu at home from a strict Moulvi, but later under the influence of his teacher Vishram Tewari shifted to Hindi. A casual advise from his teacher to read the books available in Hindi Sahitya Sammelan library made him embark on a mission and he read numerous books on varying subjects , even if he did not comprehend many.How he took tuitions to make ends meet and fought TB successfully by self treatment in an unconventional manner, it is an irony that he could not save his first wife Shyma ( he called her JOY and she fondly called him SORROW). His best work ‘ Madhushala’ was written when he was married to Shyma and her illness was in its initial phase, in fact his major poetic work is written prior to his meeting and marrying Teji.We must not judge him only from his Madhu series ( Madhushala, Madhubala, Madhukalash), but some of his work soon after the death of his wife- ‘ Nisha Nimantran’ , ‘Aikant Sangeet’ is also of equal importance .

Bachhan could be called the one and only ‘Star Hindi’ poet ( I am not taking into consideration the hasya kavis). The old timers will confirm that his rendition of ‘Madhushala’ swayed the audience, people invited him from far and wide and he held single shows successfully. He had an immense fan following, though he never brags of his in his book.

An interesting phase of his career has been the help which he received from a number of Brahmins ( who says that in Allahabad there is an on going one-upmanship between the Kayastha and Brahmins!!). The first being ‘Karkal’ who was his childhood friend and lived in his premises . Bachhan has shown rare truthfulness in writing of his physical intimacy with Karkal’s wife Champa after the sudden demise of his friend and her tragic end when she conceived . Vishram Tewari, the disciplinarian who left a deep mark on his early upbringing. Tewari would cane all and sundry but always had a soft corner for the quiet Bachhan. Then there was the famous A N Jha, the Head of the English Department, he gave him job as temporary lecturer kept tab on his progress, gifted a ‘blue sapphire’( which many including partially Bachhan believe that it changed his destiny) finally ensured that he was made permanent , invited him to stay with his newly wed wife at his cottage at Mussoorie. It is therefore a bit odd that Bachhan is not so forthcoming in his gratitude to Jha and more so is critical of his guiding abilities and inadequacies as host ( though he stayed for good 45 days at his cottage). He hints about a ‘third point’ in husband –wife relationship without naming anyone and says that he could write a book on the subject. Was it A N Jha he was referring to?

His life takes a turn on meeting and marrying Teji- a beautiful pragmatic sikh lady. Their meeting at common friend’s home at Bareli during NEW YEAR EVE in 1941 is dramatic and romantic . Contrary to our belief Teji had not heard of him and was not his fan as we were made to believe. They meet and while he is reading aloud his poetry tears commence flowing from Teji’s eyes, followed by Bachhan’s and soon both are uncontrollable ; the friends leave the room, the two while weeping embrace each other. Teji shifts from Lahore where she was teaching Psychology to Allahabad and they marry within a fortnight. In oct the same year a son is born to them, the famous poet Sumitra nandan Pant ( another Brahmin) is residing with them at that time and names the child Amitabh ( he names the second child too- Ajitabh).

The final building of Home with Teji at Allahabad commences with their first residence at Allenganj at Rs 75/- rent, followed by Bank road , Strachey road, Adelphi and settling for 7 years at 17 Clive road with five big rooms , garden. Here he finds stability and progress, names the home –Dussdwar ( ten doors). The story continues in his third book ‘Dussdwar se Soupan tak’.

Critics rate the first two books as great. I feel that excellent cinema can be made starring the two Bachhans based on Harivanshrai Bachhan’s Autobiography. Interestingly both Teji and Harivanshrai were offered work by the Shalimar studio Pune( Teji as heroine and Bachhan as song writer), but Harivansh withdrew, though Teji was keen and also disappointed. She later fulfilled her dreams abundantly through her Son!