रविवार, 26 अप्रैल 2015
Jai Siaram ! (Will the Red Rise ?) )
गुरुवार, 23 अप्रैल 2015
A STINGING SLAP OF THE 'REAL' AAM AADMI
A STINGING SLAP OF THE ‘REAL’ AAM AADMI
Gajendra Singh the farmer from Dausa , Rajasthan who committed suicide in New Delhi on 22April
during the rally of the Aam Aadmi party has shocked the Nation and revealed the complacency of the urban centric
political parties. He; in his sacrifice has given a stinging slap to all the politicians
and bureaucrats who are actually collectively thick skinned. People were known to commit suicide in metropolitan areas owing
to loneliness, depression failure in business/love etc but the problem has
shifted to rural areas since the launch of the liberalization in early
nineties. Lakhs of farmers have committed suicide , the primary reason being
unable to pay the debt due failure of crop / cash crop. And nobody seem to
learn from the tragedy as the main political parties were busy through the day to
milk political mileage from it.
Gandhiji
had written and advocated of the ‘Village Republic’ wherein each village would
be a self sufficient entity but our new Sarkar propagates of 100 smart cities!
Where will they make the cities? On the graves of the farmers ! By thrusting
the Land acquisition bill with all the means under command!
The farmers are the most vulnerable community, they
need protection as they cannot mobilize
themselves the way the industry workers
do, owing to the inherent economic and environmental insecurities they are
unable to sustain their movement for long. Rural life is difficult and those of
us who have sympathy with their cause are unable to spend time amidst them as
our romantic notions fade when the brutal rural reality hits us .
Journalists fleet around the place during election campaigns, very few
committed journalists sustain their concern P Sainath is one name whose seminal work in the book ‘Every body
loves a good draught’ is much revered.
Gajendra
Singh threw a suicide note prior to his taking his own life; the last words were “ Jai Jawan Jai Kisan” . He saluted
the two communities serving selflessly the Nation and being ignored ! He travelled to the seat of power
to make himself hear!!
It is reported that he was recipient of many awards
for tying Pagri in various styles . His
handsome face and colourful Pagri will haunt us for long; hope it results in
some change of heart and mind -for the
good of the farmers!
शुक्रवार, 3 अप्रैल 2015
DETECTIVE BYOMKESH BAKSHY
DETECTIVE BYOMKESH BAKSHY
I was
looking forward to this film and so booked my tickets in advance and went alone
for the 0230PM show at Jagdamba Vizag today. It could be that I had high
expectations from the film or whatever but it did not excite me and all along
together with the quiet audience I was looking and searching for something to
take home but returned subdued. I had to pep up myself with a hot cup of coffee
and onion Uttapam at Sai Ram tiffin .
The film is set in the early forties of
Kolkata when the world war 2 is in full swing the Japanese have captured Burma
and are making plans to capture India and Kolkata. Against this backdrop there
is a Chinese gang operating in Kolkata dealing in opium smuggling. Arrives a young man to meet Byomkesh Bakshy the
renowned detective to request him to find out the whereabouts of his father who
has been missing since last two months after initial hesitation and
altercations he accepts the case and the complex plot unfolds and as the movie
progresses it becomes complicated and murkier and murkier. Many
characters are introduced ; from seductive siren to shaky roommate to Japanese
Doctor to student leaders and politicians but no novelty emerges. There
are murders and betrayals and a plot to capture power with the help of the
opium dealers .The end is the usual
Bollywood style with the villain showing his true colours and characters and
scenarios influenced by Torantino. Loud western music unrelated to the theme
and period keeps blaring in the background; the sweetness of Bengali music as
seen in so many detective movies and short films of Ray seem untapped. In trying to do
something new Dipankar Bannerjee fails to kindle excitement among the audience as
he did so well in his initial three films- Khosla ka Ghosla, LSD and Oye Lucky.
I also felt that the director perhaps was
too busy creating the period of early forties of Kolkata that he failed to
ignite the story or present the story in an interesting way. I have this
impression that an Indian audience is not prepared for many twists and turns, a
single but solid twist is enough to steer the story . Dipankar was too
enamoured of presenting the ‘Period’ and
may have thought that to be the USP of the film but he was mistaken ; the
backdrop is just a ‘prop’ the life and blood is the story and screenplay.
Notwithstanding my disappointment with the film what goes to the credit of the
director is creating good characters , making them perform in a subtle and
effective manner. Sushant Rajput the main protagonist has worked on his gait
and speech and little style and is likeable similarly is his client Bannerjee
played by young Tewari; he has imbibed suitable mannerism less speech toward
his performance. There are two main female characters contrast to each other
and have emerged fairly fine, the seductive ‘Angoori’ does create interest
among the audience. Kabir the soft spoken Dr Guha is the surprise packge and
has come a long way from his ‘Ship of Theisus’ days in which he played a jain
monk brilliantly, he will benefit the most from this film and commercial
Bollywood roles would open out for him.
After his last film ‘Shanghai’ failed to
impress the audience it was expected that this time Bannerjee would perhaps not
indulge in unnecessary complexities of plot and make a simple detective story
lucid, but in order to be different yet again he seems to me to have missed the
mark. I am labouring here to convey my disappointment with someone whom I like
and who arrived with some small but sweet cinema and won many admirations and
so the expectations were high. He is not run of the mill director , I therefore
would say that ‘Detective Byomkesh Bakshy’ was an experiment with cinema which
missed the mark. Maybe the film may surprise me by becoming a hit on the
strength of the principal character who has a good following since his TV days,
but it will remain a small consolation for Bannerjee and me for we were looking
for a yet another ‘small wonder’.
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