मंगलवार, 11 जून 2013

100 YEARS OF HINDI CINEMA





100 YEARS OF HINDI CINEMA




This 100 year child ( girl) is our joy !
As we collect to canvas its journey
we want it remain a child
simple, pure , instinctive without guile.




With its opiate for classes and masses,
it has healed the wounds of heart and soul.
Stirred many thoughts; a balm for hunger
spread equity where revolutions failed.




The magic of sight and sound .
Manufactured; yet natural and calm.
Has captivated the humanity; where
Pundits and politicians failed.





Mirror of past and present,
secure in its womb is
the history of society, the changing
times, habits, cultures and norms.




            Her  beauty and potency could not
remain hidden from the corporates.
Thus began a new phase; they wrapped
her in even more glamorous attire.



Now; her reins are held in greedy hands;
who have sold her charm, to multiply their gains.
They know not that this child of destiny
truly belongs to the people in streets!




Your role will not diminish with time.
You are needed in each age and era,
you belong to one who earns an Anna ,
but claps standing on the seat.



            Please do not, do not ditch him
his love is true his desires limited.
He does not seek bankful of dollars,
just a constant glance, smiling at him.

शुक्रवार, 31 मई 2013













THE    PAIN      OF    THE     CUCKOO


The  cuckoo cried  in passionate pain
throughout the night.

Not a drop of water fell; though
distant thunder felt.

Cuckoo arrives in early march and
is heard till  june-july  end.

She searches for her mate and
creates many symbols of rain.

Her song, her solitude, her plea
goes unheard; in traffic din urbane.

Why is she here then wasting
her voice on ungrateful citizens?

I have heard her song at all
times during the day.
But why is she so much in
grief  tonight?

Will she be able to attract
her mate?

Will she be able to love
once again before the season dies?

This sound is the nature’s blessing
which we search in temples and tomb.

Those  are blessed who hear her
cry , those deaf; remain ungroomed.

No  scientist can create such soulful cry,
it is only an artist’s inspiration.

Am I the lucky one who hears
in this green corner of metropolis?


Have the concrete kept her
away  from her annual visits?

Deprived of destiny will the children
of  modernity  never hear her,

nectar sound that  nourishes
their generation.

God they say lies in
small things, small sounds,

same sound with subtle variations
is the source of truth and joy.

She is in perennial quest, in
eternal pain, an emotional pain.

To make us happy.
To salivate  us .
To redeem us.
To rejoice us.

Do we deserve her?
Worshippers of  market!
Soldiers of corporate!
Ready to conquer the fertile
for greed.

No! we not; we not
deserve her song; her
sound.

No ! do not come
cuckoo again.
This shall be our punishment;

our penance.

बुधवार, 27 मार्च 2013

MRS HILLARY CLINTON ON LECTURE TOUR


MRS  HILLARY CLINTON ON LECTURE TOUR



Recently there was this news item in newspapers that the per lecture fee of Mrs Hillary Clinton , wife of the former President of USA  Mr Bill Clinton and herself the recent Secretary of State of USA will be 2 lakh dollars ie about one crore rupees in Indian terms. Though I was in know of the fact that distinguished ladies and gentlemen who have made a name  for themselves in varied fields are called upon by the corporate sector, International banks and even famous educational Institutes for lecturing, ‘Leadership summit’ etc but I was certainly shocked to read one crore as fee!
    And then I started thinking that this one crore rupee is a motivation for Mrs Clinton or for her audience? Who has valued her lecture at such a high sum? How much will each member of the audience pay to listen to her?And how many lectures will she deliver in a year? Is it a fair amount? Film stars in India are paid such sums for endorsing products, for dancing in weddings and even for mere appearance to uplift an event/ fashion shows etc but Politicians, Public servants, being paid such sums is not heard. Will Mr Manmohan Singh ( when he ceases to be the PM) ever fetch such sum? In the first place will he ever accept such a sum? Is it justified?
   What will be the  content of her lecture? Would it be educative, informative or mere entertainment? Would she not be repeating what she would have already said in her various statements as the Secretary of State or would she be delivering some ‘magic mantras’ pertaining to Defense, State craft, leadership which would motivate the young corporate, public servants to be rejuvenated and embark on a missionary zeal to reshape the society in accordance with the American norms?
  Maybe such high fee is an  acceptable norm in American society where ‘money’ is the core issue . The country which has given the  famous phrase-‘ There s no such thing as free lunch’ . But India, despite rampant corruption and many inadequacies it is unthinkable for a teacher/lecturer to charge such a high amount for lecturing, if such a demand is made by say Amartya Sen  , he will lose his respect immediately among his followers and fellow Indians for being greedy. There is definitely some value for ‘renunciation’ in our educational/social system which looks down upon excessive accumulation of wealth for imparting knowledge.
   In India the concept of ‘Guru-Shishya’ parampara( tradition ) is embedded in our consciousness and despite the scourage of  the caste system which denied learning opportunity to the under privileged  the system is still revered and has remained a bench-mark of eastern culture . Monetary factor in education / Gyan ( knowledge) has been mocked at in our society  though in the present age the consumerism has made a serious dent to our values. Guru was given a Dakshina ( gift :monetary or otherwise ) on completion of education according to the capacity of the Shishya ( student). In many instances it was postponed for a suitable occasion to allow the shishya to become proficient in his field.
   I have been educated in Allahabad which is an educational center of Uttar Pradesh. All the educational Boards of the State, various colleges- Teachers’ training, Agriculture, Printing and Technology, Information technology, Medical, Business and Law are stationed in the city. The University of Allahabad at one time was known as the Oxford of the east. As students we attended ‘talks’, ‘lectures’ in our University premises by eminent citizens, politicians, poets etc. When we attended these lectures the question of paying any money never arose . It was considered an ‘honour’  by the speaker to have been invited for the lecture . When I was in the teaching faculty at Mumbai in the early nineties we would invite executives from well known Firms , even then the question of payment never arose. We honoured the Speaker by sending our office car to pick them from the residence and after the lecture there would be the customary lunch/dinner with the staff and students. I remember my father remembering his days in the Allahabad University  in the  late forties and early fifties and once when he attended the lectures of Firaq Gorakhpuri on ‘Necessity and freedom’ the other speakers were Kunwar Mohamad Ashraf and P C Joshi, the contents of the lectures were so brilliant that they were embedded in his memory for ever. Mr A N Jha the famous vice chancellor of Allahabad University was known for his talks on varied subjects .
   Gradually the concept /idea of giving an ‘honorarium’ was introduced wherein a token amount in an envelope would be given to the lecturer. Later it was formalized and a cheque was being given and a proper receipt obtained for the maintenance of accounts. Sometimes the speakers would be professional teachers and therefore it was their bread and butter, but the charges were  reasonable and within the norms of employment.
  The age of competition in professional fields gave rise to the plethora of coaching classes wherein teachers/Readers/Professors also moonlighted to earn extra money. However such schemes are ‘result oriented’ and become popular on the success rate. But in the case of Mrs Clinton and others like her  the attraction among the audience  is to see her rather than to listen to her. And she is not the only one , I am told  that had Mr Obama lost the elections he would have gained by being the highest paid on the ‘lecture tour’. I searched  the Net and obtained a list of highest paid speakers and here it goes:
1.      Donald Trump- 1-1.5 million dollars.
2.    Ronald Reagen( 1989)- 1 million dollar.
3.    Tony Blair- 6 lakh dollars.
4.    Bill Clinton- 1.5 to 4.5 lakh dollars.
5.     Rudy Guilani- 2.7 lakh dollars.
6.    Alan Greenspace-2.5lakh dollars
7.     Lance Armstrong-1 lakh dollars.
8.    Al Gore- 1to1.5 lakh dollars.
9.    Richard Branson- 1 lakh dollars.
10.                        Sarah Palin- 1 lakh dollars.
 However for me it is the ethical question. Prominent people who have made a name for themselves should not charge such a high amount and in fact should  lecture as a public service  and consider it an honour for having been invited, otherwise there is no end to this race for earnings ! Looking at the list above it can be confirmed that none of them needs the money for their living ; it is just an extra earning. If the prominent people lecture for charity the reception of the audience will be better.

बुधवार, 20 फ़रवरी 2013

CINEMA REPUBLIC




CINEMA REPUBLIC





 “ Thus every village's first concern will be to grow its own food crops, and cotton for its cloth. It should have reserve for its cattle, recreation and playground for adults and children.....”

The village will maintain a Village theater , school and public hall...”


when our villages are fully developed there will be no dearth in them of men with a high degree of skill and artistic talent. There will be village poets, village artists, village architecture, linguists, and research workers. In short, there will be nothing in life worth having which will not be had in villages...”

craft, Art, health and education should be integrated into one scheme...”


                                                                                  Mahatma Gandhi
                                                                                India of my Dreams/Harijan
                                                                                             1942-46





    In a democracy individuals and communities get opportunity to grow. However what perturbs me is the disproportionate glory to some and oblivion to many. We have seen that with the launch of liberalization many Indians have appeared in the Forbes list of the top Billionaires. It is equally true that the large majority has remained poor and in fact degraded further. Same is the case with glory and popularity in the field of Art and culture. A select few Artists/Stars have amassed such wealth that it has begun to look vulgar. The commercialism which is propelled by capitalism has made young artists who were devoted to their Art in yester years abandon their towns and villages and converge to the capitalists' capital of India- Mumbai. The capitalist and market principles have affected the Cinema world too . The Hindi cinema or Bollywood cinema as it is popularly known has become severely commercial and competitive at the cost of creativity. The power too is centralized, in that a few big banners and a few stars dominate the cinema culture. What is disheartening is that these stars have very little to offer in terms of culture, sophistication and the primary principle of any Art; creativity! Each project is considered in commercial terms and only those ideas are put to execution which may result in commercial dividends , the commitment is to the commercial cause and social commitment or even commitment toward Art and culture is missing. What disturbs me is that these flag bearers of cinema have gained wealth, fame and money in notorious proportions and the greed continues. Wealth beyond a certain point is unethical; though it may not be illegal. The display of wealth in a society where the vast majority are still struggling for economic ends is harmful and is sort of 'taunt' to the millions impoverished on whose contribution via the box-office the stars maintain their style and status! But, glitter,gloss and glamour is the hall mark of cinema today! I do not think the people identify with this cinema , but they are trapped.

With the power in cinema concentrated in few stars, their residence are now the place of pilgrimage for all the commoners and star struck citizens who visit Mumbai- Mannat, Jalsa, Galaxy apartments etc... Do they deserve such adulation ? Is it merit based? How many of the talented Indians they have deprived to command such position? Moreover is their 'Art' representative of India? They may do lip service for some social cause, Shahrukh may act in 'Swadesh' to convey his love for rural India and Amitabh may propagate his concern in 'Kaun banega crorepati' for the under privileged men and women and prepare video clips on their modest living for the TRP benefit and Aamir may shed a tear or two in his 'Satyemev Jayte' but the core issue is self preservation and money. The bulk of their work and the dominant theme in their lives is commerce! And what is it that that our regional artists/actors lack? Only opportunity!

If Mumbai is the financial capital of India is it necessary that it should be the cinema capital of India too?
After more than 65 years of independence only crumbs have been scattered toward regional cinema and its growth. There has been absolute centralization of cinema , its concepts and its policies and this centralization resides in Mumbai. Occasionally these filmmakers do borrow regional themes and culture, but it is only the crassness and loudness which is projected not the subtleness ;and so we have 'Dabang' portraying U P dialect and style, recently we had 'Ishqzade' ; apparently it was heartening to see a film on the subject of local politics and ethnic conflict against love set in a small western UP town of Barabankvi, but such cinema are few ( Paan Singh Tomar and Gangs of Wassepur are a rarity), mostly we have Rowdy Rathore, Son of Sardar, Ra -one etc...Even when rural culture of the Punjab is shown it is the stereotypes that we witness and no new themes are explored.

  There should be federalism in the field of Art and culture as well ;more so for cinema which is part of the cultural heritage of the country. It is therefore more appropriate that cinema be decentralized. The urge for cinematic expression is deep seated among the people of all regions. It is also a misnomer the Hindi/Boolywood cinema is more preferred by the people ,actually they do not have a choice. My own experience bears testimony to my thinking. Years ago; that is in the early eighties I was in Visakhapatnam ( Andhra Pradesh) for one year in connection with my work. During that period most of the cinema halls screened 'Hindi cinema' and regional cinema in Telugu was scantly represented, however the picture changed dramatically during my second stint in the city in the late eighties and early nineties by which time the Telugu cinema was all over and the latest Hindi films were screened only in few halls. The situation changed , in fact reversed in those 7-8 years. We did feel bad for lack of Hindi cinema but the majority of the people in that city were happy and that is what mattered, it was also profitable for the regional cinema; their boys and girls were getting new jobs and their cultural roots were being enlarged.

 But only few regions have established themselves firmly. Tamil, Telugu, Malyalam and Kannada cinema are formidable and do not need the Bollywood for its commercial and emotional sustenance; though occasionally we see established stars of South cinema making forays up north for wider acceptance and audience, but soon return to their original fold as they experience rivalry and moreover are unfamiliar with the language and its nuances; many actresses have been successful though.  However the bulk of the regional cinema including once artistically superior Bengali cinema are still struggling. Cinema of Bengal, Assam, Orrisa, Meghalaya and Marathi have vast potential in terms of theme and talent but have limited representation. Then there is Punjabi cinema which is gaining currency and is very popular abroad and from its popularity it appears that it is preferred by the Punjabi community over Hindi cinema. The Bhojpuri cinema has been there since many years and has made its mark but somehow it has remained at the lower rungs of critical and commercial ladder. Probably the cinema of south is logistically well equipped as it operates from big prosperous cities such as Chennai, Hyderabad and Bangalore and the regional films in north lacks that foothold.


   But what I have stated above are the broad regions and there are regions within regions and cultures within cultures. Numerous dialects of Hindustani Zubaan are looking for representation. The dialect in western U P is different from that of central U P and the dialect of Allahabad is different from that of Varanasi. Multiple, colourful strands emerge from the broad brushes of Khari boli, Braj, Awadhi and Bhojpuri. And what about the tribal culture; each town , each village or group of villages have their stories to tell. As each person in a democracy has a vote ; he also has a Voice to be heard ; an expression to to propagated !

These cultural and geographical regions not only require economic growth but cultural growth too. Presently as it stands the strong economic centers have the wherewithal to produce cinema. But cinema should be produced by each state, money should be allotted to each region/district for propagation of cinema. Small theaters should be built by the Government to promote cinema. The most inspiring example of regional talent was the film 'Superman of Malegaon' made on a shoe string budget but not lacking in cinematic creativity, I saw the making of the film in ' you tube ' and was moved by the ingenuity of the director and crew and the sheer passion of the artists to excel despite depravity. Such stories will give birth to new Indian cinema!

गुरुवार, 24 जनवरी 2013

'PAAN SINGH TOMAR'S' QUEST FOR JUSTICE CONTINUES





'PAAN SINGH TOMAR'S' QUEST FOR JUSTICE CONTINUES



 
 
'Paan Singh Tomar', the biopic on the life of an athlete and soldier from the ravines of Madhya Pradesh was widely appreciated on its release in march last . Though the film was ready for release for one year but owing to the reasons best known to its producers the UTV the film was not released. It is believed that the production house was unsure of its commercial success and therefore did not want to invest on print and publicity and was even contemplating only a DVD release. Therefore when it did release the film it was a limited release and many prominent towns even in Madhya Pradesh such as Gwalior were left out. But, the people accorded the film a rousing reception and it was then the producers realized that they had a 'gem 'in hand which they had kept in hiding. Therefore as in his lifetime so in celluloid Paan Singh had to struggle for justice and the people and the critics provided justice to it. The film was trending on Twitter for weeks! It was a sort of Poetic justice for Paan Singh Tomar as well as for the director Tigmanshu Dhuliya who had nursed and nurtured the subject for many years but was being stifled by the corporate indulgence.

It happens in only few cases but when the society acknowledges the actions and life of the protagonist the film attains its ;social purpose' and rises from the level of mere entertainment. 'Mother India', 'Munna Bhai MBBS/Lageraho' 'Tare Zameen Par' are such other films. Having received praise from the people which is the core issue at the end of the year various media houses hold award functions to honour films in various categories. However it is evident that the chief purpose of these organisations is to muster Stars and make them perform in order to sell the same to TV channels at higher rate , the channels too await such events to enhance TRP and the stars too get publicity and so all the main parties are benefited in cash or kind, in the process though 'fairness' in selection of films and according of award gets defeated. But despite the existing deficiencies film makers and cine goers alike await for the event and expect 'truth to prevail'.
The first awards were given by Zee TV on the 6th of Jan and 'Paan Singh Tomar' received award for its 'dialogues' only, a token recognition. Next the 'Screen' awards were given away on the 12th of Jan and the jury did recognize the film by adjudging it the best film of 2012 which was an immense acknowledgment as the competition this year was tough . The lead actor Irfan Khan also received the best actor's trophy along with Ranbir Kapoor and the screenplay too was awarded. However, the oldest Institution- 'Filmfare' did not even nominate 'Paan Singh ' for best film/director category, one expected it to win the critics award for best film but that too went to 'Gangs of Wassepur'. A token award for screenplay and critics award for best actor to Irfan were the only solace. Filmfare was never known to be fair but such insensitivity was also not expected.

As I have stated above that despite the frivolousness of the award system when an institution awards a film it not only recognizes the good work of the cast and crew but also acknowledges the 'subject' the 'social cause' of the film .The film 'Gandhi' by Richard Attenborough was awarded numerous Oscars much for the talent of the team but also for the subject of 'nonviolence' the film advocated.' Slumdog millionnaire' was awarded much for the skills of Danny Boyle but also for the subject of 'downtrodden' the film portrayed. Similarly 'Paan Singh Tomar' was lauded far and wide commercially and critically much for the commitment and talent of the cast and crew but also for the subject of 'justice' and 'struggle' it put forth. It is a rare film which is included in the the school subject of CBSE for value education along with 'Mother India' and others. Distinguished columnist such as Shiv Vishvanathan and Harsh Mander wrote praising the film in their columns.

Therefore 'Paan Singh Tomar's' quest for justice continues as it is the quest of all such people who seek 'fairness' and 'equity' in life.

बुधवार, 12 दिसंबर 2012


                                                THE   MARCH   OF   CAPITALISM








The march of capitalism continues in many directions. From the loot of coal, from the foreign direct investment in multi -brand retail , aviation sector etc. The media barons are also intent on occupying the  vacant space and not only propagate information , opinion but their own brand of ideology too. I am questioning the vigorous onward march of the 'Times of India' group- the Grand old lady of bori- bandar! The character of the paper has changed since the demise of Girilal Jain many many years ago. The  only objective of this group is to keep on moving up its circulation. I am told that when  the young management took over, its one liner advise to its marketing team was that “ A news paper is a piece of paper which people take to bogs in the morning and our paper should remain the preferred paper for that purpose”.

  Efforts were made to increase the circulation  of the newspaper to ensure that other competitors remained at lower rungs. 'Mumbai- mirror' was launched to ensure that whatever space remained is annexed by the tabloid. The corporate was successful in its mission. But, the paper which is so dominant in the city does not have any ideology other than to increase its sales in order to grab the maximum revenue from advertisements. Recently it launched two advertisement campaigns one for the 'Mumbai – mirror' and the other for 'Bombay Times', these were also shown in cinema halls. The 'Mumbai-mirror' advertisement film  is in 'black and white' and shows images of  copies of a book being burnt and the writer, a bearded middle aged man standing next to the bonfire crying out “they are burning my book...” then there is  a young man stopping a cavalcade of a politician on a flyover and shouting at the top of his voice “ this city is my home and I will not allow your posters to be put on my walls” indicating that the city belonged to the common man and the paper protects the interest of the ordinary citizen. Another scene shows street children with barely any clothes protesting to the municipal officers regarding their pitiable living conditions. The film makes an impact and generates admiration for the efforts of the paper , it is considered peoples' paper and the sales go up!

   Another advertisement is of 'Bombay- Times', the paper is projected to provide glamour. Images of 'Dabbawala', a lady vegetable seller, a taxi- driver and a young student appear on screen in weird, colourful almost bizarre attire reflecting glamour among commoners or the paper is provoking the commoners to copy the 'page3' life style?. However the newspaper group attempts to capture all the segments of the society , and also different tastes, but apart from 'selling' and 'increasing the sales' what ideology does the paper have? The Corporate's projection of being friend of the commoners is a facade! It is true that the paper does reflect the incidents concerning the commoners in 'Mumbai- mirror', but it is evident from its other publications that its a ploy to muster readership and is not ideology driven

       We are aware  that there were two professions which leaders at various levels practiced in their fight against the British imperialism- legal and journalism. Mahatma Gandhi wrote regularly in 'Young India'and 'Harijan'. Nehru launched 'National herald' and similarly Tilak wrote for 'Kesari'  and 'Maratha' and there were many more ,the vernacular Press was full of patriots with pro people ideology and Aim to remove the British regime.
  Some years ago the TOI  added a new column namely 'speaking tree' which dealt with the subject of spirituality and became popular , encashing on its popularity, the paper commenced a new supplement by the same name on Sundays. Therefore it believes in occupying any vacant space with its marketing power, the editorial staff may, may not believe in any spiritualism or otherwise. The Group therefore propagates Socialism, Glamour and Spiritualism and may believe in none!

    Democracy demands accountability of all Institutions. Legislatures are made responsible by the people during elections, the executive has numerous accounting systems such as CAG and CVC. The judiciary too has been made to reveal their assets and media and parliament have raised many issues pertaining to appointment of Judges  post retirement etc. But the 'media' has very few checks, the Press commission  has its limitations and has asked for more teeth . It is also argued by both Indian and foreign media that in a democracy , despite its excesses the Press should remain free, but even in Britain there is debate on the issue after the recent scandal which was essentially a case of increasing readership by extracting information by dubious means- the social cause was missing.
  I feel that the media should be guided by the 'social responsibility' concept. But if it is being run by the capitalists then it is for only select few !

बुधवार, 5 दिसंबर 2012


ACQAINTENCES ASSSOSIATES AND FRIENDS

     Among the many writings on 'National Movement' one theme which is propagated is that during the freedom struggle India as a Nation was  ' in  making '. Prior to that it was a loose federation, a mere geographical entity. The founding fathers evolved it as a Nation. Then there was the famous theory of Jinnah and Iqbal-- the 'two Nation' theory. With the recent happenings in Assam and Mumbai the debate on the 'cause of the problem' arises again. Have we as a Nation failed to integrate /amalgamate?

      Despite the numerous social contradictions and conflicts and many issues remaining unresolved such as the matter of caste, gender bias,regional conflicts we have moved ahead in a democratic manner  and to some extend the power of vote, reservations in jobs and in Parliament have provided some hope and relief. At least the conflicts are not violent. However when such violent incidents occur the questions are raised regarding  the differences between the two communities, the creation of Pakistan, and also of loyalty to the Nation etc.

     My experience and analysis is that we may have  differences  , but we have more in common, it is in the mutual interest that we propagate our common heritage , the most prominent being our fight against the British during               '
 the  first 'war of independence'. It was the Golden period of Hindu-Muslim unity. Thereafter, the British systematically kept us away and the separate electorate under 'Morley-Minto'  reforms was a big blow . However we have examples of bigger and violent conflicts among Hindus the story of 'Mahabharat' being one , which in essence is fight for private property between cousins!

     But, here I wish to go back to my past and ponder over the acquaintance association and friendship   I have had with the Muslims. The first point is very clear, none of my associationwas by design, it just happened during the course of my journey from childhood to youth., as it would happen with persons of other communities, organizations and religion.. Here  I go.....
 
   
     Shahid. It all started in Dehradun, the tonga which took us to school was owned by Shahid, the bearded Pathan  from western UP  his  white mare ( Ghori) was the fastest and smartest among all the tongawallas and it took us to St' Joseph's at Rajpur road from Lakshman chowk negotiating the narrow and steep lanes of Khurbura  via cannaught place and  Ghanta ghar.  Often there would be an impromptu race as we approached the school  and invariably we won with children cheering joyfully. We were at least ten  to twelve children of varying sizes and competed with each other for a seat in the front  row , sometimes when Shahid was in good mood he would make one of us sit on the driver's seat ( a side seat ) and sometimes he allowed us to  handle the leash ( lagaam).  I was with him for four years , from class II to V , with his flowing beard and well chiseled nose , Shahid was an impressive personality.

      Yusuf. The scene shifts to Allahabad ,how I and my brother met Yusuf is an interesting episode clear in my mind. We were waiting outside our school ( St' Joseph's) looking around to hire a rickshaw to return home when suddenly a boy appeared and confronted me for something which occurred between him and me during the school hours, while I was trying to pacify him my younger brother did not wait for the matter to end , he came forward and lifted the boy by his neck and threw him on the ground, the astonishing part was that my brother was almost half the size of the chap he flung on ground; while I was dumbstruck it was Yusuf  ( an old rickshaw walla)who was observing   from nearby; and was very impressed with the courage and  wrestling skills of my brother and immediately volunteered to   take us home . Since then he became regular, in fact in his off time he would just hang around our residence and often chatted with my grand father. He was a wise old man  with a square chin and was compelled to pull rickshaw  even in old age to meet his ends . Later we learnt that his son was employed in the   household of Shri Hemvati Nandan Bahuguna, the congress leader who was also the   Chief minister of U P. The family did see some prosperity. I still remember the  peculiar phrase which Yusuf used to utter to describe anything odd or strange in a person – 'jhampar rishtu and lampat bhon', we  laughed  and it was a common joke among us, and later adopted in our colloquial vocabulary.

   The three teachers at St' Joseph's, Allahabad.  Kazmi Saab,was our sports

teacher and he was impressed of my hockey skills, though he himself was a
cricket player. I was good at hockey and represented not only my school but the Allahabad region as well. Kazmi Saab being an ex-student knew the pulse of the students and was  often called upon to discipline some trouble creators, in which I too  was included, but he was quite understanding though his very presence  with  biryani belly was of a toughie . We too played our pranks and were never a threat to the system , though our class x- c was always in news. I met Kazmi Saab, regularly after I had completed school as my brother was still there, as always he was helpful and understanding. I can never forget the sports room full of sports gear, hardly lit , items spilling all over and his office was also housed there ; a privilege few teachers had. And then there was one fraud who entered school teaching faculty based of false certificates, Mr Hussain was probably his name, he dressed shabbily and spoke with a queer accent and was lacking in confidence and competence and was nick named  R D Bottle ( relative density) by our class, he taught us physics. One day Father Rego found out his true credentials and literally pushed him out of the school. The next teacher , Mr Javed  was tall, lanky and well dressed and always wore a suitable jacket  and tie, there was much sophistication in him, he taught well too. He had completed his masters and was awaiting the results of the  I A S . Once I and my class mate  visited him in Muslim Boarding house near the university where he resided, to inquire of our physics marks,  it was afternoon  and he was resting , his bed was on the floor , books lying all over, a surahi in one corner. He just turned his head and asked us of our purpose, and we asked him of our marks and I remember he immediately said 76; my friend too got good marks , we were thrilled, thanked him , rushed down to our bicycle and  peddled back home. He was soon selected in  the I A S and left us, he was made for higher things!

   Sadar Bazaar. The Sadar Bazaar near Ashok Nagar was part of cantonment area, it has remained the same since I visited it first .Our Barber resided there ( I fail to recollect his name). Very polished , soft spoken  I looked forward to visiting him  and engaging him in conversation to hear his chaste Urdu.. He was there with us in good times and sad times , he was there for my nephew's mundan , he was there on my father's death. I continued to visit him on my vacations to the city and he would request me to find a job for his son in Mumbai and I would always dissuade him from leaving his native place for I knew that once one leaves his town for Mumbai it is difficult to return. His son continues to occupy his shop, the world has changed but not Sadar near
cantonment.

    Asif Ali. My friend Asif Ali and I were  together in school and then later in
   B A  .  Asif was  tall  , well built with dark round face. He played hockey and in fact we both were in the school team. He once remarked that for a  Muslim it was of no use excelling in hockey as they  would never get a chance to represent the Indian team , I did not agree with him and did not take his comment seriously. I do not know whether he was serious or voicing the general perception. Asif ,was original and had mastered the art of   matching the colours of Rubik's cube,he was so good at it that he wrote a book too on the subject, I am told by my friends. In B A  we were together  in the economics class, it was one of the rare subjects where girls and boys had a combined class. Mr D K Ghosh and Mrs Rajul Mathur were our teachers who taught us economic theory and Indian economy respectively and they encouraged participation of students. Asif who was a back bencher in school,  however was always well dressed and was  well prepared for the economics  class and would reply to any query promptly giving no chance to other volunteers! We all wanted to impress the girls who sat huddled in the front rows , but it was only Asif who made sincere efforts! His father was a Lawyer and my father had met him being in the same profession, his name was Sharafat Ali and  resided in Rajapur. My father had said that Sharafat Ali sahab was Sharif, true to his name; once when he visited him he found Asif pressing his father's feet, so he came back quite impressed. I have learnt from my class mates that he is in Canada and doing well. The image of Asif  Ali coolly  peddling his cycle , his hockey tucked behind, often returns to me when ever I think of my school days.


          Bollywood  calling.  Then there were at least two Muslim boys whom I remember were in class viii . I am bad with names but the episode I never forget. Suddenly for many days one of them did not attend class, there was this rumour that he has run away to Bombay to try his luck in films. He was indeed tall, fair and well built and would have got some work on his mere looks. But, he returned soon. . His story which he told me was that he was traveling to Lucknow by train and some fellow passenger offered him some 'pakodas' and he lost consciousness there after they took him away to a remote place which he does not remember anything. When he returned to his senses he managed to escape from their clutches. We all knew that he had made up the story. He also showed me a scar on his hand as proof of his tussle with the kidnappers ; he said that it was a knife wound and I nodded my head.
               Hasan. The picture of Hasan, in commanding posture, as school     captain is retained with me, the power which he emanated with his mere presence was effective. Hasan was in green house and I think he wore spectacles, but he was tough , the way he walked and uttered sentences in measured  tone and bore military style and probably that is why he was made the school captain eliminating Goel from blue house, who perhaps was better than Hasan in academics , but the decision of Father Rego was always well considered and he knew to pick talent . It was not that he was in command mode at all times, I found him in lighter mood also. Once he acted very cheeky with one of the lady teachers during the  Annual school fete . The lady teacher was in charge of one  of the stalls and Hasan approached the stall and in his typical robust style said ' Madam aapka rate kya hai' apparently he was asking for the price of the items in the stall, but it was such a loaded statement that even I who was standing at the stall was shocked. I expected fireworks and the lady to blow up and bring the school captain to mother earth, but the lady smiled and said ' my rate or rate of the item? And then Hasan corrected himself and the situation was saved . Assessing now I think the lady teacher reacted in the most mature fashion, saving her own modesty and restoring the position of the school captain; had such an incident occurred in today’s times Hasan would have been thrown out of the school. I would always inquire of him whenever I visited Allahabad. He did Law and to my surprise was practicing in the lower courts despite High Court being at Allahabad.. Then one day I learn t that he was no more . I never expected an ordinary life for Hasan; but such is life!


       Javed. Javed was an odd ball. We were together in class xii at Govt Inter College Allahabad. I never got along with him, but I was hardly in the class, most times I was playing hockey. I would often pull his leg in the class and never took his warnings seriously, but actually he took all that to  heart! One day  he showed me a knife tucked inside his pant, this was just to caution me probably, but I laughed it out. Then one day  I was late for college and was entering the premises from the Medical college side , when he confronted me with another  chap . While javed had the knife his companion carried a cycle chain. Their plan was to hold me and attack with the knife; but somehow I pulled out of their clutches and rushed to the school where the assembly was in session. I sighted my friend Manjeet and along with him and other class mates we rushed back to catch Javed and his accomplice, but they had vanished. This was one serious attempt to injure me, but I got away, one regret was that my new shirt was torn.
 Naqui Sir. I have been poor in Science and Maths so I failed in my first attempt at Intermediate. To this day I regret as to why I opted for science , I should have taken Arts, played hockey and passed without pain. But next year I had to take help by way of tuition, so we contacted Naqvi sir who was known to be good in science and maths tuitions, and had  helped many shaky science  candidates in  the past. He taught me the subjects for three months and I passed  intermediate in second class and since never looked back at science. I visited him once at his residence near Sadar bazaar near cantonment. He lived modestly and his source of income was from tuitions. Then he got a teaching job  in Assam and I saw him off at station as he boarded the Tinsukhia mail from Allahabad. I often wondered that why a competent and qualified person like him had to seek such remote occupation? Little did I realize at that time that merit and achievement are not necessarily linked ;we were young and intoxicated in idealism , then.

Bari Tailor. The challenge was to look smart with limited resources. Bari tailor of chowk, solved this problem. He was my stylist as well as tailor. During college days in late seventies there was this craze for foreign jeans and jackets as Indian brands were yet to emerge, but denim and other thick material cloth was available which compensated my desire to have long sleeves shirt with flaps or a stylish jacket . All this was under the influence of western actors and our own Dev saab and Dharmendra. Bari  would also give his own suggestions in designing my clothes made out of the locally available low priced cloth and it gave me a lot of happiness to flaunt my creations among friends. At  no time did Bari discourage me or mock my suggestions, he would just smile and was confident of the outcome, however since he was much in demand I had to wait for longer period but I was not discouraged. His shop was at one end of chowk  and I had to cycle almost 12 km , but it was worth it. How I discovered him I do not remember but I lost contact with him when I left Allahabad and then with the surge of ready made garments flooding the Indian market the craftsmen such as Bari tailor of Allahabad lost out. He was such a refined gentleman both in his work and dealings.

 Zafar Alam Nomani. Nomani was my friend in university . Thin , dark and lanky , he wore spectacles.  He would constantly look down while cycling and was lost in his thoughts. Our ideas were romantic and we shared left ideology. In our discussions, debates we would veer the conversation toward our ideology and exhort our  other friends to support the left cause, even though we were not members of any group. During those days like me , Nomani too was Dev Anand's avid fan and we did see 'Hum-Dono' at Niranjan and 'Funtoosh' at Jhankar together. He lived in the Railways residential quarters near civil lines, we graduated together, I was in touch with him during my vacations but soon lost contact. Recently I learnt from my brother that he was a lawyer at Allahabad, I shall meet him during my next visit to Allahabad, it will not be difficult to identify him even in a crowd, Nomani with his chashma and frown.
  Arshad and Chiku.  Arshad and Chiku were brothers and I got to know them through my friend Ranjit Dutta. They lived behind the Y M C A  and we often played cricket together at YMCA grounds much to the annoyance of their administration who expected approvals, but Arshd's Mamu also played with us  could pacify the YMCA people . The brothers were full of pranks and Arshad was known for blowing long farts , which he even recorded as prized possession. Once I along with the two brothers went to witness a test match at Kanpur between India and Pakistan; to my surprise I found them cheering for Pakistan, though I was taken a back then but now I understand such sentiments  after witnessing Indians in England cheering for The Indian cricket team even though most of them were British citizens. One interesting incident I remember even now; the brothers had taught the child of their servant the choicest of abuses, some very typically Allahabadi.  On the arrival of a friend the child would be asked to perform and the boy would rattle out the abuses with such sincerity and innocence completely unknowing of its meaning but provided an original entertainment to all of us . Later I learnt the brothers migrated to U S.

 Rufi.  Rufi was a shy guy who stayed in Bahadurganj. I came to know him through my neighbor  Deepak Dhawan.  He was tall, a little plump, always appropriately dressed and possessed refined expressions. Like all of us he too sought association of girls and looked forward to the jam sessions which we managed to organize periodically. He was shy to approach any girl for dance but admired them from distance, we called him 'balcony' party. However he provided us home made 'mutton- biryani' which was delicious and all of us looked forward to it. Rufi too was proud of it and would say in his chaste urdu- ' biryani aisee banegi ki aap juban pe rakhenge aaur wo aap ki halak se nikal kar sidha knoon ban jayegi'  (  the quality of biryani will be such that the moment you will put it in your mouth and it moves down your throat it will transform into blood).What I gather is that he continues to be in his furniture business at Allahabad.
 
 Computer Ali and Nassem.  Finally there are are two barbers whom I know in Mumbai since last thirty years- Computer Ali and Naseem. On my arrival in Mumbai  when I visited the Barber shop in my locality and as per habit inquired the name of the person who was attending my hair I was amused to learn that his name was Computer Ali, therefore  even then such innovative names were kept by the village community, and names such as 'Definite' and 'Perpendicular'  ( Gangs of Wassepur )came much later . Probably that was the time when computer machines might have landed in India and the rural folk would have been impressed by its potential and power and named their new arrivals after it. A rapport was established with him and his cousin Naseem . Both are from Handia tehsil , of Allahabad district. Their income is not sufficient to allow them to bring the family to Mumbai, therefore they periodically visit Allahabad and alternate each other  at work on most occasions. From them I receive feedback on Allahabad, its heat, lack of power supply and dependence on inverter by those who can afford the investment, during my recent interaction I was told that this time the rains have been good and so they are expecting a good harvest , even the local river rose to unexpected level. The conservation of forest has brought in the influx of Neelgais  who eat away the fully ready harvest and nothing much can be done  to prevent them. I learn that on no occasion the two have been able to get a confirmed reservation  in train, so they obtain waiting ticket and travel on the floor of the reserved compartment after tipping the T C , such has been their journey home.
  The above are few of my 'Muslim – connections'. These were pleasant memorable associations which arose out of circumstances and were not planned. I never felt the 'two nation' aspect with any one of them There was mutual trust and my  association with them was never guarded and was as clear as it was  with any Indian citizen. I sincerely believe that we have much in common to celebrate and we not even have common history , but culture too.  Bade Gulam Ali Khan, Dagar brothers, Sahir , Kaifi ,Majrooh, the Bolywood Khans and our dear Ghalib, have provided me emotional sustenance and like me  to many others